I told the wood suppliers what I was aiming to make, so they provided boards in various lengths to suit my needs. I stacked and stickered everything to help it dry out, as the boards had been steamed for a while to remove stresses after they were resawn. Here are the two piles in the basement workshop:


This is alpine spruce from Europe. Trees that grow at high altitude have tightly-spaced growth rings because the growing season is short and cold. For use in soundboards, the wood should ideally be quarter-sawn. I received it about 1/4" thick; it will be planed down to about 1/8", glued up and then selectively thinned by hand-planing.
Having such expensive materials to deal with—the total cost, including shipping, duty and taxes must be at least $750 Canadian—makes me a bit nervous. In addition, there is no substitute for prior experience in making a soundboard, which I admit is a liability for me. Thinning down a soundboard is not a mathematical exercise: since no two pieces of wood are alike, the degree of thinning suitable for one soundboard is unlikely to match any other soundboard. You must work your materials in a way that accounts for the idiosyncrasies of what you have at hand, and that will vary from board to board. Still, I have to get my feet wet with this eventually, and I will give it my very best shot.
For now, everything will have to dry out for a while. Cold, dry weather is approaching, and I have the boards stacked up in the furnace room, which is warm and dry, to help things along.
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